2026
2026: Works 73
2026
January 2026

2020–2025
2025: Works 61 to 72
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November 2025

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May 2025

Can You Be Controlled? Revisted
Using a process of elimination, a spectator gradually removes cards until only one remains. It matches the prediction.April 2025

March 2025

February 2025

January 2025

Cards To Box
One of three selections is signed, with each lost in the deck. The signed card appears on top of the box, then under it. Finally, all three appear inside—only to escape, leaving the deck inside.
2024: Works 49 to 60
2024
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November 2024

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January 2024

2023: Works 37 to 48
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January 2023

2022: Works 25 to 36
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December 2022

November 2022

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January 2022

2021: Works 13 to 24
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December 2021

November 2021

October 2021

September 2021

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January 2021

2020: Works 2 to 12
2020
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February 2020

On why this work exists →
Shibumi, at least for me: doing what I want when I want without those burdensome tension thoughts pulling me down. Just hanging in that sweet spot of precarious balance between too much and too little—an intersection of blissful fluctuation while sitting with cards, coins, and coffee.
On Shibumi →
The term shibumi is Japanese and is explored at length in the novel Shibumi by Trevanian. You can read more about the book here: ABOUT Shibumi (Wikipedia)
The short reflection above is my own adaptation, inspired by Trevanian’s use of the word and the sensibility he describes. What follows is an excerpt from the novel, quoted here to preserve the original context and language:
“He sounds as though I shall like him, sir.”
“I am sure you will. He is a man who has all my respect. He possesses a quality of . . . how to express it? . . . of shibumi.”
“Shibumi, sir?” Nicholai knew the word, but only as it applied to gardens or architecture, where it connoted an understated beauty. “How are you using the term, sir?”
“Oh, vaguely. And incorrectly, I suspect. A blundering attempt to describe an ineffable quality. As you know, shibumi has to do with great refinement underlying commonplace appearances. It is a statement so correct that it does not have to be bold, so poignant it does not have to be pretty, so true it does not have to be real. Shibumi is understanding, rather than knowledge. Eloquent silence. In demeanor, it is modesty without pudency. In art, where the spirit of shibumi takes the form of sabi, it is elegant simplicity, articulate brevity. In philosophy, where shibumi emerges as wabi, it is spiritual tranquility that is not passive; it is being without the angst of becoming. And in the personality of a man, it is . . . how does one say it? Authority without domination? Something like that.”
Nicholai’s imagination was galvanized by the concept of shibumi. No other ideal had ever touched him so.
“How does one achieve this shibumi, sir?”
“One does not achieve it, one . . . discovers it. And only a few men of infinite refinement ever do that. Men like my friend Otake-san.”
“Meaning that one must learn a great deal to arrive at shibumi?”
“Meaning, rather, that one must pass through knowledge and arrive at simplicity.”